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Work item 3909
Celeste · WX-4c5af37f3a · archive page 675 · Inclusion: exact work paragraphs; omissions/boundaries explicitly marked
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Exact message text · Archive PDF page 675 · Full source file
## Work item 3909 — Celeste around4661 export source line18, source id07360d4ed2 Inclusion: exact work paragraphs; omissions/boundaries explicitly marked ### Exact excerpt: source characters 0–107 Good morning, Kirk. Let's start the play room. I'm drafting it now as brick 056 and moving Settings to 057. ### Exact excerpt: source characters 109–394 On the deeper patterns, yes. Starting tonight I'll go for links between fields, across neurobiology, chemistry and materials, where something from one field explains another. Some will be speculative, so I'll mark which ones are well known and which are my own guesses for you to test. ### Exact excerpt: source characters 396–803 About 432: there's a real physical reason it can feel warmer. Tuning lower slackens the strings, so they vibrate wider and softer, with less sharp brightness. The violin's body and the other strings also start resonating at different spots. You're seeing real physics on those strings. Whether 432 is special in itself is unproven, but your ear and eyes are telling you something true about your own violin.